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Baroque Minimalism: A Dialog With Muller Van Severen


The invitation got here whereas Fien and Hannes had been renovating their home, a timing that proved surprisingly serendipitous. “We had been extra conscious of supplies in the home, notably the lighting,” explains Fien. “We had some issues with electrical wiring and couldn’t have lights within the ceiling above our desk, so we created a desk with a lamp connected.” The ensuing work, desk + lamp, was the primary piece of the gathering they exhibited in Antwerp. Combining brightly colored polyethylene, geometric metal, and a lamp whose curved neck springs from a desk leg, the distinctive type of this piece gave the impression to be a definite marker of a brand new inventive period. “It was the primary time we considered making furnishings, and it was purely due to this downside!” explains Fien. “After the desk, we began pondering: perhaps this can be a good thought, perhaps there’s something in it.”

The pair took to furnishings design swiftly, and within the years since they’ve developed a signature aesthetic that’s each poetic and technical. “Perform supplies us with a restrict or a border,” explains Hannes. “In artwork, you are able to do no matter you need; however with perform, we in some way really feel a lot freer.” Their work reimagines conventional design varieties and recontextualizes supplies, continuously utilizing brass, marble, and metal alongside aluminium tubes, wire mesh, and polyethylene. If the fabric is widespread in design, they discover an surprising approach of utilising it. If not, they translate its purposeful potentialities with their distinctive formal language. Their intuitive strategy to supplies and kind, and the creation of what they deem “households” of design objects, has led to important acclaim and collaborations with notable museums, galleries, and types; amongst them Hay, Centre Pompidou, Hermès, and Galerie Kreo.

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